New York Times Co. v. Tasini

New York Times Co. v. Tasini, 533 U.S. 483 (2001), is a leading decision by the United States Supreme Court on the issue of copyright in the contents of a newspaper database . It held that _The New York Times _, in licensing back issues of the newspaper for inclusion in electronic databases such as LexisNexis , could not license the works of freelance journalists contained in the newspapers.

The lawsuit brought by members of the UAW's National Writers Union against the New York Times Company , Newsday Inc. , Time Inc. , University Microfilms International , and LexisNexis. The freelance writers, including lead plaintiff Jonathan Tasini , charged copyright infringement due to the use and reuse in electronic media of articles initially licensed to be published in print form. In a 7–2 ruling delivered by Justice Ginsburg , the Court affirmed the copyright privileges of freelance writers whose works were originally published in periodicals and then provided by the publishers to electronic databases without explicit permission of, or compensation to, the writers. As a result of the decision, plaintiffs won a compensation pool of $18 million.

History

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The case was initially heard in the district court of Judge Sonia Sotomayor , who held that the publishers were within their rights according to the Copyright Act of 1976 . This decision was reversed on appeal, and the Supreme Court affirmed the appellate court's reversal.

Aftermath

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The decision involved works generated by 27,000 authors, but it did not allocate any bargaining power to them. The New York Times Company responded to the decision by drafting an ultimatum for the authors. The authors could contact the Times and request that it continue to distribute their works online, but only on the conditions that the authors ask for no additional payment and that they release the Tasini decision's legal claim on the Times and the database licensees. Future freelance contracts with the New York Times included similar terms that allowed the Times to exploit the works in whatever ways the future may reveal.